RosTA

Mikhail Cheremnykh , Amshey Nurenberg, Ivan Malyutin, Vladimir Mayakovsky and anonymous

with Darja Bajagić, Fabio Mauri, Cady Noland

Organized with Olivier Renaud-Clément

September 13 – November 14, 2020 Opening reception: September 13, 3-8 pm

 

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

RosTA
2020

Exhibition view.

Anonymous, Glavpolitprosvet(Gpp).C 1 to 4
1921

Stencil on newsprint paper, printing ink, 4 panels

Anonymous, Glavpolitprosvet(Gpp).C/1
1921

Stencil on newsprint paper, printing ink 42,5 x 30 cm

The world stands on a volcano.

Anonymous, Glavpolitprosvet(Gpp).C/2
1921

Stencil on newsprint paper, printing ink 42,5 x 33,9 cm

Take heart! Destroy the bars of the prisons.

Anonymous, Glavpolitprosvet(Gpp).C/3
1921

Stencil on newsprint paper, printing ink
43 x 32 cm

The powerful magnet of the Communist International will bring together steel dust.

Anonymous, Glavpolitprosvet(Gpp).C/4
1921

Stencil on newsprint paper, printing ink 42,3 x 31,8 cm

To forge a sword and a shield

Anonymous, Glavpolitprosvet(Gpp).47 1 to 8
1921

Stencil on newsprint paper, printing ink, 8 panels

Anonymous, Glavpolitprosvet(Gpp).47/1
1921

Stencil on newsprint paper, printing ink
51 x 41 cm

There are neither nails nor scythes.

Anonymous, Glavpolitprosvet(Gpp).47/2
1921

Stencil on newsprint paper, printing ink
50,5 x 46 cm

I have neither clothes nor shoes.

Anonymous, Glavpolitprosvet(Gpp).47/3
1921

Stencil on newsprint paper, printing ink
51 x 46 cm

That’s because there are few factories in our country. The war destroyed everything

Anonymous, Glavpolitprosvet(Gpp).47/4
1921

Stencil on newsprint paper, printing ink  50,5 x 45,5 cm

But when we’re done with the battles

Anonymous, Glavpolitprosvet(Gpp).47/5
1921

Stencil on newsprint paper, printing ink
47 x 39,5 cm

We will restart the construction of the factories

Anonymous, Glavpolitprosvet(Gpp).47/6
1921

Stencil on newsprint paper, printing ink 51 x 41 cm

And month after month, year after year, we’ll have textiles, nails and livestock

Anonymous, Glavpolitprosvet(Gpp).47/7
1921

Stencil on newsprint paper, printing ink
50 x 40 cm

But for this to happen I must give bread to the workers

Anonymous, Glavpolitprosvet(Gpp).47/8
1921

Stencil on newsprint paper, printing ink
50 x 40 cm

To be able to feed all Russia,
I’m going to seed all my lands

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).47 1 to 9
1921

Stencil on newsprint paper, printing ink, 8 panels

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/1
1921

Stencil on newsprint paper, printing ink 43,5 x 35 cm

Bureaucracy reigns in Soviet administrations 

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/2
1921


Stencil on newsprint paper, printing ink
44 x 35 cm

Is it possible to defeat it?
In the picture: BUSINESS

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/3
1921

Stencil on newsprint paper, printing ink
44,5 x 35 cm

Sovnarkom (T.N the People’s Commissariat) has decided to fight bureaucratism

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/4
1921

Stencil on newsprint paper, printing ink
44,5 x 35,5 cm

Female workers

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/5
1921

Stencil on newsprint paper, printing ink  44,5 x 35,5 cm

And female farmers are mobilized.

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/6
1921

Stencil on newsprint paper, printing ink
46 x 36 cm

Instead of explaining in vain to the bureaucrat:

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/7
1921

Stencil on newsprint paper, printing ink 46,5 x 36 cm

“You must make our work easier."

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/8
1921

Stencil on newsprint paper, printing ink
46,5 x 36 cm

Be yourself accurate and fast.

MIKHAIL CHEREMNYKH, Glavpolitprosvet(Gpp).168/9
1921

Stencil on newsprint paper, printing ink
46 x 36 cm

It’s a way to fight administrative burdens.

1972

/ Perché un pensiero intossica una stanza ?
INNERE REALANSIGHT
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches

FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ?
1972

/ Perché un pensiero intossica una stanza ?
DIE KRIEGSWITWE (The War Widow)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches

FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ?
1972

/ Perché un pensiero intossica una stanza ?
ARBEITSEINSCHÄTZUNG (Working Evaluation)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches

FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ?
1972

/ Perché un pensiero intossica una stanza ?
EINEN KUSS, NANETTE (A Kiss, Nanette )
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches

FABIO MAURI, WARUM EIN GEDANKE EINEN RAUM VERPESTET ?
1972

/ Perché un pensiero intossica una stanza ?
GANZMASKEN (Full-face Masks)
Iron, wood and canvas with Letraset
71 x 43 cm / 28 x 16 7/8 inches

FABIO MAURI, QUESTO MEZZOPUNTO È ARIANO
1995

(This gobelin stitch is Aryan)
Embroidery on fabric
56.5 x 51.5 cm

FABIO MAURI, SENZA IDEOLOGIA
1975

(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min

FABIO MAURI, SENZA IDEOLOGIA
1975

(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min

FABIO MAURI, SENZA IDEOLOGIA (detail)
1975

(Without Ideology)
Film projector, 16mm film “Alexander Nevsky” by Sergei Eisenstein, bucket, milk
Duration: 112 min

FABIO MAURI, RADIO
2003

Wood, metal, canvas, valve, electronic material
24 x 24 x 12 cm

FABIO MAURI, IL MUSE DI GOEBBELS
1984

(The Muzzle of Goebbels)
Charcoal and oil on paper
33 x 45 cm

Fabio Mauri, L’ARTE FA PERCHÉ È STORIA E MONDO
2009

(Art does because it is history and the world)
Cut doormat
210 x 420 x 1.8 cm

Fabio Mauri, L’ARTE FA PERCHÉ È STORIA E MONDO
2009

(Art does because it is history and the world)
Cut doormat
210 x 420 x 1.8 cm

DARJA BAJAGIĆ, ex AXES — WALLS SWEAT IMAGES
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, ex AXES — WALLS SWEAT IMAGES
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, EX AXES — THIS IS SERENITY!
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, EX AXES — THIS IS SERENITY!
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, ex AXES — ANOTHER LOST YEAR
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, ex AXES — ANOTHER LOST YEAR
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, ex AXES — THE PLEASURES RECEIVED IN PAIN
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, ex AXES — THE PLEASURES RECEIVED IN PAIN
2018

Direct-to-substrate print on steel axe
33 x 12,7 x 2,54 cm
ed. of 2 + AP

DARJA BAJAGIĆ, TRANSFIGURATION
2019

Acrylic and UV print on canvas
87,5 x 76 cm
Unique